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: 斯派克SPECTROMAXx火花發射光譜（OES）金屬分析儀

第六代SPECTROMAXx繼承了成功和全球銷量大的金屬分析儀。全新設計實現了更好的易用性和更有益的性能。斯派克公司抓住每一個機會提升已經很優秀的分析穩定性。標准樣品的選擇和測試；光源參數的研究和優化；光譜線的選擇和工作曲線重新制作升級，一切工作的結果是：分析精度等性能的提升面向金屬分析的未來發展需要。微量元素分析也是決定因素。管理者需要在從原料; /Article/spkspectro_1.html

: 斯派克直讀光譜儀MAXx保养前后效果对比

斯派克SPECTROMAXx直讀光譜儀维护保养前后数据来告诉你，效果和准确度得到明显提高！; /Article/spkzdgpyma_1.html

: 我會一直在您的身邊—儀德工程師五年堅持回訪同一客戶

这是谷城的一用户，他们与2010年和仪德公司达成合作关系。他们购买的是SPECTROMAXx LMF05直讀光譜儀。于2010年安装调验收合格，正常使用！; /Article/whyzzndsby_1.html

: 儀德公司參加第九屆佛山不鏽鋼展會將于4月17號開幕

广州仪德公司参加第九届佛山不锈钢展会，此次展出的产品有：斯派克直讀光譜儀系列(SPECTRO-LAB,SPECTROCHECK,SPECTROMAXx),手持式荧光X射线光譜儀系列等！仪德公司会热烈欢迎业界同仁前往现场参观交流。汇集优质供应商，洽谈采购直通车。由广东省不锈钢材料与制品协会、广东省钢铁工业协会、佛山市成展展览服务有限公司共同主办的2015第九届佛山国际不锈钢、金属材料展会将于4月17日上午在广东佛山市顺德陈村花卉世界展览中心隆重开幕，本届展会涵盖了不锈钢金属板材、管材、制品以及加工技术设备等较为完整的; /Article/ydgscjdjjf_1.html

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斯派克光譜儀安装工作和地线的制作方法
X射線熒光光譜儀用于塑料及电子材料中铅、镉、（汞）等元素分析
德国斯派克直讀光譜儀SPECTRO MAXx(LMX06)简介
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省級/區域級土壤中心實驗室設備之全自動土壤樣品制備系統
應用PIMS技術測定低合金鋼中的酸溶鋁
德国斯派克光譜儀在化学工业分析中的应用
儀德分享鉻毒膠囊檢測載體整體解決方案
手持式光譜儀有何作用
手持式光譜儀操作使用的注意事项
怎样测定的直讀光譜儀精度？
光电直讀光譜儀和火花直讀光譜儀有什么区别吗?
直讀光譜儀主要特点
直讀光譜儀和X荧光的区别及光密度
专注光谱10年：中国大的国内进口光譜標樣仓库
仪德公司供应美国Brammer Standard Company, Inc.标准样品
广州仪德科技有限公司供应国内外光譜標樣
2011斯派克光譜分析儀器使用應用方面的培訓計劃
儀德“一站式服務”助力應對新《食品安全法》實施
手持式光譜儀随时随地分析元素成分

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Turn away thine eyes, maiden passing fair. O maiden passing fair, turn away thine eyes! Of nature that cannot die, I thought Daddy had had you come there to meet me or a surprise. When the road was made through Bunnoo a pile of stones was heaped up in the middle of the village. The Moslems finally persuaded themselves that this was a saint's grave; and they come hither to perform their devotions, planting round it bamboo flagstaffs with pennons, and adding to the mound the stones they piously bring to it day by day. But it was not merely in the writings of professed philosophers that the new aspect of Platonism found expression. All great art embodies in one form or another the leading conceptions of its age; and the latter half of the seventeenth century found such a manifestation in the comedies of Molière. If these works stand at the head of French literature, they owe their position not more to their author’s brilliant wit than to his profound philosophy of life; or rather, we should say that with him wit and philosophy are one. The comic power of Shakespeare was shown by resolving the outward appearances of this world into a series of dissolving illusions. Like Spinoza and Malebranche, Molière turns the illusion in, showing what perverted opinions men form of themselves and others, through misconceptions and passions either of spontaneous growth or sedulously fostered by designing hands. Society, with him, seems almost entirely made up of pretenders and their dupes, both characters being not unfrequently combined in the same person, who is made a victim through his desire to pass for what he is not and cannot be. And this is what essentially distinguishes the art of Molière from the New Comedy of Athens, which he, like other moderns, had at first felt inclined to imitate until the success of the Précieuses Ridicules showed him where his true opportunities lay. For the New Comedy was Aristotelian where it was not simply humanist; that is415 to say, it was an exhibition of types like those sketched by Aristotle’s disciple, Theophrastus, and already prefigured in the master’s own Ethics. These were the perennial forms in a world of infinite and perishing individual existences, not concealed behind phenomena, but incorporated in them and constituting their essential truth. The Old Comedy is something different again; it is pre-philosophic, and may be characterised as an attempt to describe great political interests and tendencies through the medium of myths and fables and familiar domesticities, just as the old theories of Nature, the old lessons of practical wisdom, and the first great national chronicles had been thrown into the same homely form.572 “All right, sir,” Larry said. “We thought we ought to report what came into our minds. But we can’t prove anything, of course.” "Si Klegg, of the 200th Ind., and Shorty, his Partner," were born years ago in the brain of John McElroy, Editor of The National Tribune. "Yes," answered the Colonel. The smith was as great an enthusiast for the freedom of the bond as the monk himself; but his mode of obtaining it did not coincide with the peaceful bent of the father. Tyler's plan was bold and sanguinary,—the monk's, intimidation without violence; and energetic and accustomed as was the smith to act on his own impulses, yet, even in his fiercest moods, he willingly yielded obedience to the monk's suggestions. Indeed, he had long been accustomed to pay that deference which father John's mildness had, as it were, extorted; and the circumstance of their first connection, from the liberation of Ball from the dungeon of Sudley to the present period, had so increased his affection and veneration, that now, deprived of this pillar of support, he felt a loneliness and dejection which nothing around could dispel. HoME 色土豆宇都宫ENTER NUMBET 008qidaoculture.com.cn
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